{"id":2791,"date":"2021-04-25T15:19:36","date_gmt":"2021-04-25T15:19:36","guid":{"rendered":"https:\/\/alfabus.us\/?page_id=2791"},"modified":"2021-04-25T15:30:20","modified_gmt":"2021-04-25T15:30:20","slug":"proximate-movements","status":"publish","type":"page","link":"https:\/\/www.alfabus.us\/proximate-movements\/","title":{"rendered":"Proximate Movements"},"content":{"rendered":"\n<p>The movement research for the HYENAZ <a rel=\"noreferrer noopener\" href=\"https:\/\/vimeo.com\/380761293\" data-type=\"URL\" data-id=\"https:\/\/vimeo.com\/380761293\" target=\"_blank\">PROXIMITY<\/a> video began with the performative installation and praxis PROXIMATE MOVEMENTS, which was first researched during <a rel=\"noreferrer noopener\" href=\"https:\/\/www.berlinerfestspiele.de\/en\/berliner-festspiele\/programm\/bfs-kuenstler\/bfs_kuenstler_detail_242901.html\" target=\"_blank\">Isabelle Lewis<\/a>&#8216;s immersive spaces exploration at Martin Gropius Bau\u00a0as part of the \u201cWelt Ohne Aussen\u201d festival. It was later performed at Garbicz Festival Poland with Ambrita Sunshine, Adrienne Teicher, Mad Kate, Federica Dauri, TRAUKO, Bishop Black and Simon(e) Jaikiriuma Paetau. The movement research around Proximate Movements later evolved into the group <a href=\"https:\/\/www.hyenaz.com\/oops\/\" data-type=\"URL\" data-id=\"https:\/\/www.hyenaz.com\/oops\/\" target=\"_blank\" rel=\"noreferrer noopener\">CLUSTERFUCK<\/a>, whom HYENAZ directed and performed with for <a rel=\"noreferrer noopener\" href=\"https:\/\/www.teachesofpeaches.com\/\" target=\"_blank\">PEACHES<\/a> stage show <a rel=\"noreferrer noopener\" href=\"https:\/\/www.kampnagel.de\/en\/program\/theres-only-one-peach-with-the-hole-in-the-middle\/\" target=\"_blank\">There&#8217;s Only One Peach with the Hole in the Middle<\/a>.<\/p>\n\n\n\n<div class=\"alignnormal\">[metaslider id=2792 cssclass=&#8221;&#8221;]<\/div>\n\n\n\n<p class=\"has-text-align-center\">Photographs with thanks to photographer <a rel=\"noreferrer noopener\" href=\"http:\/\/www.cameronschillerphoto.com\/\" data-type=\"URL\" data-id=\"http:\/\/www.cameronschillerphoto.com\/\" target=\"_blank\">Cameron Schiller<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The movement research for the HYENAZ PROXIMITY video began with the performative installation and praxis PROXIMATE MOVEMENTS, which was first researched during Isabelle Lewis&#8216;s immersive spaces exploration at Martin Gropius Bau\u00a0as part of the \u201cWelt Ohne Aussen\u201d festival. It was later performed at Garbicz Festival Poland with Ambrita Sunshine, Adrienne Teicher, Mad Kate, Federica Dauri, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/pages\/2791"}],"collection":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/comments?post=2791"}],"version-history":[{"count":0,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/pages\/2791\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/media?parent=2791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}