{"id":2498,"date":"2021-03-15T08:30:55","date_gmt":"2021-03-15T08:30:55","guid":{"rendered":"https:\/\/alfabus.us\/?page_id=2498"},"modified":"2023-05-18T15:11:46","modified_gmt":"2023-05-18T15:11:46","slug":"sound-design","status":"publish","type":"page","link":"https:\/\/www.alfabus.us\/sound-design\/","title":{"rendered":"SOUND DESIGN"},"content":{"rendered":"\n

In addition to my music projects<\/a>, I create sound design and post production for film, theatre, radio, audio books and podcasts. I also offer professional sound recording services on set or in studio. Working both solo and closely together with Adrienne Teicher,<\/a> we bring our audio-technical skills, musicality and performance expertise to the film set or theatre context in which we work. From project initiation, we are committed to process based and holistic sound design which treats the audio as integral to the film or live visual performance. We often work directly with actors and site-specific recordings to develop the soundscapes for the project. Whether realistic or fantastic, our sound design emerges from the world of the film or theatre piece at hand.<\/p>\n\n\n\n

As both writers and performers, and with experience behind and in front of the camera, we are particularly suited to projects and subjects where sensitivity <\/strong>and artfulness<\/strong> are desired. As sound designers we bring a deep awareness<\/strong> of the needs of audio post production while capturing sound on set.<\/p>\n\n\n\n

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EQUIPMENT LIST<\/a><\/div>\n<\/div>\n\n\n\n

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Bicho Raro<\/h2>\n\n\n\n
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Choreografie, Konzept, Ausstattung, Videoinstallation, Tanz: Danilo Andr\u00e9s 
Dramaturgie: Diego Agull\u00f3
Sound Design: Mad Kate, Sara Neidorf ( Schlagzeug )
Videoinstallation: Peter Bromme, Paulo Fernandez 
B\u00fchnenbild: Moran Sanderovich
Make-up Videoinstallation: Hassan Dib, Danilo Andr\u00e9s 
Produktionsleitung: Hanna Schaich<\/p>\n\n\n\n

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ECLIPSES: Glitters of Darkness<\/h2>\n\n\n\n
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ECLIPSES, a performancy by Nagi Gianni & ReveRso & Yotta Baka for Chrysalis!<\/p>\n\n\n\n

ECLIPSES features a subversive, fluid body that runs counter to the norms of society and of the identity, engaging with flamboyant, odd flaming aesthetics, and with artifices such as deformation, exaggeration, and the grotesque.<\/p>\n\n\n\n

Premiere Saturday May 13, 7pm at Flux Laboratory, Le Centre d\u2019Art Contemporain Gen\u00e8ve<\/p>\n\n\n\n

Photos: Kleio Obergfell<\/p>\n\n\n\n

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The Fourth Generation<\/h2>\n\n\n\n
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THE FOURTH GENERATION is a dark comedy that focuses on the difficulties of a woman trying to save the place she calls home. She feels emotionally connected to the city’s past and present and desperately wants to preserve its future.<\/p>\n\n\n\n

Starring: Aerea Negrot, Gigi Spelsberg, Yvon Jansen, Daniel Zillmann, Mano Thiravong, Mathea Hoffmann, Chilly Gonzales
Concept: Yony Leyser
Script, Production and Direction: Yony Leyser
Editor: Hamed Mohammadi
Sound Design: Hyenaz (Kathryn Fischer & Adrienne Teicher)<\/p>\n\n\n\n

https:\/\/www.khm.de\/studentische_arbeiten\/id.30690.the-fourth-generation\/<\/a>
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Like Lovers Do: Memoirs of Medusa<\/h2>\n\n\n\n
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Like Lovers Do: Memoirs of Medusa by Sivan Ben Yishai, Suhrkamp<\/a>
Sound Design and Post production for audio book by HYENAZ<\/p>\n\n\n\n

In the myth, Medusa is raped by the god of the seas, whereupon she transforms into a winged figure with serpentine hair, the sight of which turns everyone to stone. Medusa’s violent, kaleidoscopic memoirs are a dedication to all lovers in Sivan Ben Yishai’s work, listing moments of our collective memory: between desire and violence, between porn and sexual fantasies, between political attacks and familial practiced looking away. In an only apparent counter-scenario, five young girls together imagine the dream man of their future, themselves involuntarily as the perfect attribute at his side. On a third narrative track, the author designs a literal reversal dynamic of the traditional narrative patterns: A woman grabs a knife, leaves the crime scene of the marriage bed, hijacks a crowded bus, and puts it in reverse to collect and decompost the century story lines and all the bruised human love meat. Couldn’t it become humus for an eco-sphere of feminist narratives?<\/p>\n\n\n\n

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K\u00f6rper Figurationen Welten<\/h2>\n\n\n\n
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