{"id":1619,"date":"2018-01-16T10:33:50","date_gmt":"2018-01-16T10:33:50","guid":{"rendered":"https:\/\/alfabus.us\/?page_id=1619"},"modified":"2022-06-27T18:40:49","modified_gmt":"2022-06-27T18:40:49","slug":"praxis","status":"publish","type":"page","link":"https:\/\/www.alfabus.us\/praxis\/","title":{"rendered":"PRAXIS"},"content":{"rendered":"\n<h3 class=\"has-text-align-center wp-block-heading\">What Does the Body Know ? <\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/alfabus.us\/wp-content\/uploads\/2018\/01\/IMG_0377-768x1024.jpg\" alt=\"\" class=\"wp-image-1629\" srcset=\"https:\/\/www.alfabus.us\/wp-content\/uploads\/2018\/01\/IMG_0377-768x1024.jpg 768w, https:\/\/www.alfabus.us\/wp-content\/uploads\/2018\/01\/IMG_0377-225x300.jpg 225w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Intimate Research in Urgent Performance<br>Performance as Practice, Practice as Performance   Documentation from <a rel=\"noreferrer noopener\" href=\"http:\/\/wp.me\/P3Gnwa-qe\" target=\"_blank\">BetOnest August 2017<\/a> <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">(Re)imagining Homes Ecologies and Labours of Love with <a href=\"https:\/\/terezasilon.com\/about\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tereza Silon<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/alfabus.us\/wp-content\/uploads\/2021\/03\/MG_6093-1024x683.jpg\" alt=\"\" class=\"wp-image-2432\"\/><\/figure>\n\n\n\n<p>Workshop at Ponderosa Dance and Discovery, 2018<\/p>\n\n\n\n<p>Online H.E.L.L. (Homes Ecologies and Labours of Love) 2020 <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Techniques for Auditory Resistance with <a href=\"http:\/\/www.hyenaz.com\" target=\"_blank\" rel=\"noreferrer noopener\">HYENAZ<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/alfabus.us\/wp-content\/uploads\/2021\/03\/IMG_0114-1024x681.jpg\" alt=\"\" class=\"wp-image-2434\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><a rel=\"noreferrer noopener\" href=\"http:\/\/hyenaz.com\/techniques-for-auditory\/\" target=\"_blank\">BetOnest October 2017<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">May I Cross This Line? with <a href=\"https:\/\/web.facebook.com\/ambra.stucchi.official\" target=\"_blank\" rel=\"noreferrer noopener\">Ambra Stucci<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/alfabus.us\/wp-content\/uploads\/2021\/03\/Screenshot_2017-05-07_02-11-46-1024x576.png\" alt=\"\" class=\"wp-image-2433\" srcset=\"https:\/\/www.alfabus.us\/wp-content\/uploads\/2021\/03\/Screenshot_2017-05-07_02-11-46-1024x576.png 1024w, https:\/\/www.alfabus.us\/wp-content\/uploads\/2021\/03\/Screenshot_2017-05-07_02-11-46-300x169.png 300w, https:\/\/www.alfabus.us\/wp-content\/uploads\/2021\/03\/Screenshot_2017-05-07_02-11-46.png 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">XPlore Berlin June 2016<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Critical Magic with HYENAZ<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/alfabus.us\/wp-content\/uploads\/2021\/03\/DSC04147-1024x575.jpg\" alt=\"\" class=\"wp-image-2435\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><a rel=\"noreferrer noopener\" href=\"http:\/\/hyenaz.com\/category\/projects\/criticalmagic\/\" target=\"_blank\">Probability Praxis Series<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Foreign Bodies with HYENAZ<\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/alfabus.us\/wp-content\/uploads\/2021\/03\/IMG_0152-1024x768.jpg\" alt=\"\" class=\"wp-image-2436\"\/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><a rel=\"noreferrer noopener\" href=\"http:\/\/hyenaz.com\/category\/projects\/foreignbodies\/\" target=\"_blank\">Slow Movement Journey, Volunteer Work and Field Recordings<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What Does the Body Know ? Intimate Research in Urgent PerformancePerformance as Practice, Practice as Performance Documentation from BetOnest August 2017 (Re)imagining Homes Ecologies and Labours of Love with Tereza Silon Workshop at Ponderosa Dance and Discovery, 2018 Online H.E.L.L. (Homes Ecologies and Labours of Love) 2020 Techniques for Auditory Resistance with HYENAZ BetOnest October [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2832,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/pages\/1619"}],"collection":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/comments?post=1619"}],"version-history":[{"count":0,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/pages\/1619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/media\/2832"}],"wp:attachment":[{"href":"https:\/\/www.alfabus.us\/wp-json\/wp\/v2\/media?parent=1619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}