NEWNESS

  • Mis(s)placed Women? Belgrade: 14-18 Nov 2021
    Tanja Ostojiฤ‡’s ongoing Mis(s)placed Women? project will take place in person and online in Belgrade on the 14th of October – 18th November 2021. Mad Kate will join a Berlin group of artists who will attend the happening in person on the 16th and 17th of October. Tanja Ostojiฤ‡MIS(S)PLACED WOMEN?2009-2021Collaborative

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  • Secretions: 19 Oct 2021
    ๐”–๐”ˆโ„ญโ„œ๐”ˆ๐”—โ„‘๐”’๐”‘๐”– ๐”“โ„œ๐”ˆ๐”–๐”ˆ๐”‘๐”—๐”– โœนMona Servo (live) + Swan Bitume (vj)โœนMona Servo works on queer & feminist body/ies, aestheticsand politics through music, performance and other multimedia devices. In her work,she combines DIY cultures, contemporary occultures, experimental practices of moving images and sound/music as well as micro-editing,invocating among others poetry, sexualities, memory, alteration,marginalities,

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  • PFF Berlin: 27 – 30 Oct 2021
    I had the pleasure of playing in Marit ร–stberg’s film HOLD, as well as doing post production on the sound design. Sections of HOLD are also featured in Maja Borg’s Passion, both of which will be showing at Porn Film Festival Berlin. Maja Borg | PassionThur 28.10. at 19:00 at

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  • ArtesMobiles | System Failed: 29-30 Oct. @ Hybrid Play Festival
    SYSTEMFAILED PROJECT SystemFailed deals with structures of power in the “smart” age. Algorithmic governance techniques are made playfully tangible and a critical examination of digitalization is initiated. Three performers and a self-developed AI system, represented by moving light and projections, face the audience. The project is divided into three modules:SystemFailed:exploration – the

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  • HYENAZ | Ex-Situ Sonic Sculpture : 18 – 20 Nov 2021
    Ex Situ is a multimedia performance and EP by HYENAZ which explores how human beings can exist in past, current, and future homeland(s), simultaneously. It has been awarded a Musikfonds FEB grant. The premiere will be held at EXIT on the 18. November and be on exhibit until the 20.November

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  • HYENAZ | AUTOMINE: 9 – 10 Dec 2021
    HYENAZ AUTOMINEPERFORMANCEDECEMBER 9 โ€“ 10 2021ACUD Berlin HYENAZ present their musical works as immersive performance intervention. A performance asks that bodies are present: as performer, as audience, as active interlocutor. The assembling of bodies together for the purpose of performance โ€“ and the proximity of those bodies to experience or

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  • EKU EKU EKU (a call to death)
    Goethe-Institut Virtual Partnership Residency with Va-Bene Elikem Fiatsi (crazinisT artisT) and HYENAZ  BUY THE TRACK HERE: https://hyenazhyenaz.bandcamp.com/track/eku-eku-eku-a-call-to-death ALL PROCEEDS GO TO perfocraZe International Artist Residency and THEIR INCREDIBLE WORK, PLEASE GIVE GENEROUSLY On the day of Va-Beneโ€™s 40th birthday, it is with very great excitement that we release this audio visual

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  • HYENAZ | Extraction
    Research funded by Fonds Darstellende Kรผnste HYENAZ (Mad Kate and Adrienne Teicher) are currently engaged in a series of discussions and close reading groups, a continuation of the research for their audio-visual work and performative intervention EXTRACTION, the fifth in their “Foreign Bodies” project. Extraction explores how extractive processes are

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